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Les Misérables

Les Misérables


By : by Victor Hugo, Lee Fahnestock (Translator), Norman MacAfee (Translator)


ratings : 627,918 ratings reviews : 14,734 reviews

Original Title : Les Misérables


ISBN : English


Edition Language : English


Series : Paris (France)


Mass Market Paperback, 1463 pages


Published March 3rd 1987 by Signet Classics (first published 1862)


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Description : Introducing one of the most famous characters in literature, Jean Valjean—the noble peasant imprisoned for stealing a loaf of bread—Les Misérables ranks among the greatest novels of all time. In it, Victor Hugo takes readers deep into the Parisian underworld, immerses them in a battle between good and evil, and carries them to the barricades during the uprising of 1832 Introducing one of the most famous characters in literature, Jean Valjean—the noble peasant imprisoned for stealing a loaf of bread—Les Misérables ranks among the greatest novels of all time. In it, Victor Hugo takes readers deep into the Parisian underworld, immerses them in a battle between good and evil, and carries them to the barricades during the uprising of 1832 with a breathtaking realism that is unsurpassed in modern prose. Within his dramatic story are themes that capture the intellect and the emotions: crime and punishment, the relentless persecution of Valjean by Inspector Javert, the desperation of the prostitute Fantine, the amorality of the rogue Thénardier, and the universal desire to escape the prisons of our own minds. Les Misérables gave Victor Hugo a canvas upon which he portrayed his criticism of the French political and judicial systems, but the portrait that resulted is larger than life, epic in scope—an extravagant spectacle that dazzles the senses even as it touches the heart.


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REVIEWS :One of the "biggest" book I've ever read, and I remembered Mick Foley's "warning" about a big book."A big book is like a serious relationship; it requires a commitment. Not only that, but there's no guarantee that you will enjoy it, or that it will have a happy ending. Kind of like going out with a girl, having to spend time every day with her - with absolutely no guarantee of nailing her in the end. No thanks."Haha... Well, I took my chances reading this big book. I made my commitment, I spent Les Misérables can be translated from the French into "The Miserable Ones", "The Wretched", "The Poor Ones", "The Wretched Poor" or "The Victims". So, as you will have concluded, this is not a happy book.In fact, it is the very opposite of fluffy happiness. It is a story about the lowest and darkest parts of French society in the first half of the nineteenth century. Hugo takes the reader on a 1200+ page journey around France and into the lives of criminals, prostitutes, those wasting away under Let's say that I could choose a single book with the guarantee that every man, woman, and child would read it. I would not choose my top three favorites, nor would I choose the one whose remnants are permanently inked upon me. I would choose this one. You argue, the length! The time period! The cultural barriers! It's just another long expounding by some old dead white guy whose type has suffocated literature for centuries! Women will be frustrated with poor representation, people who aren't I'm in the minority unfortunately. I thought the book was okay. I was hoping it would blow my mind and be a favorite like The Count Of Monte Cristo, as I was afraid of that book too, but alas, it was not =(I might as well put the ole spoilers tag up on here! Oh and even though Jean's name will be changed in the book, I'm sticking with Jean so I won't get all messed up! FANTINE 1)An Upright Man2) The Fall3) In The Year 18174) To Trust Is Sometimes To Surrender 5) The Descent 6) Javert7) The I chose to read the hefty Victor Hugo classic for my thirtieth birthday, &, let me tell you, the experience was One Biiiig Bitch. I mean, why EVEN go to the 200 + year old text when the Broadway musical exists! THAT work of art exudes all beauty and majesty in one continuous song that unites the characters through time; ultimately giving us a true theme, or feeling of genuine victory over adversity. The plot, one gorgeous telenovela of a story, replete with jailbreaks, insurrections, What makes a favourite book? In this case, I will have to say: one single character that broke my heart and shaped my idealism and stirred my anger: Gavroche Thénardier."Si l'on demandait à la grande et énorme ville : Qu'est-ce que c'est que cela ? elle répondrait : C'est mon petit." One of those street children that see and hear more during their childhood than most people ever experience, who carry pain and neglect with them on their daily adventures to survive in a hostile, careless This will be another review-as-I-go!First, a thank you to Rachel for recommending the Fahnestock and MacAfee translation, which is wonderful so far!Next, a question: Why have I been so drawn lately to these 1,500 page 19th century behemoths? War and Peace, The Brothers Karamazov, Crime and Punishment, and now this. Am I just a glutton for punishment? Or just showing off? I hope not. When I think about it, I think it has to do with the moral scope and depth of the work and the way these books 873. Les Misérables, Victor HugoLes Misérables is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its original French title. However, several alternatives have been used, including The Miserables, The Wretched, The Miserable Ones, The Poor Ones, The Wretched Poor, The Victims and The Dispossessed. Beginning in 1815 and culminating in the 1832 873. Les Misérables, Victor HugoLes Misérables is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its original French title. However, several alternatives have been used, including The Miserables, The Wretched, The Miserable Ones, The Poor Ones, The Wretched Poor, The Victims and The Dispossessed. Beginning in 1815 and culminating in the 1832 I saw the movie version of this before reading it and I was utterly shook by the powerful nature of the story. When I read it I hoped for the same experience, instead I had one more powerful. In life there are few truly great men: there are few men that are truly and incorruptibly good. Jean Valjean is such a man; he is a paragon of goodliness: he is a superb character. At the beginning of the novel he sacrifices everything: he steals a loaf of bread knowing full well of the consequences. He It is a couple of years since I read and reviewed this book. I asked a question in a spoiler, "How come Valjean never recognised Thénardier no matter how many times he met him?" And just now I had an ah-ha moment and realised it was because Victor Hugo himself might well have had prosopagnosia.How did I get to this? I reviewed Oliver Sacks' On the Move and made a point about his prosopagnosia, face blindness, I have it too. It just struck me that although it is very odd for the hero never to "We can only suppose that its new life as a musical - and what an appropriate fate for that most operatic novelist - will help to bring Les Misérables to the attention of a new generation of readers, reminding them perhaps that the abuses Hugo catalogues are still alive elsewhere, awaiting their own chroniclers in the brave new world of the twenty first century." - Peter Washington, IntroductionThere are few novels which one can consider true masterpieces and among the greatest pieces of writing This is the longest book I've ever read, and is, without a shadow of a doubt, the BEST book I've ever been privileged enough to read. I mean, WOW. Hugo had me smiling, laughing and most of the time crying, all in one chapter. This is in no way, a happy tale. Not in the slightest. The man certainly knows how to captivate the reader, and captivate, he did. The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two “They fought hand to hand, foot to foot, with pistols, with sabers, with fists, from a distance, from up close, from above, below, everywhere at once, from the roofs of houses, from the windows of the tavern, from the basement windows of the cellars that some of them had slipped down into. It was one against sixty. The façade of Corinthe, half-demolished, was hideous to behold. The window, speckled with shot, had lost both glass and frame, and was just a shapeless hole, crazily stopped up with.
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