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Arcadia

Arcadia


By : by Tom Stoppard


ratings : 18,360 ratings reviews : 887 reviews

Original Title : Arcadia


ISBN : 0571169341 (ISBN13: 9780571169344)


Edition Language : English


Series : Laurence Olivier Award for Best New Play (1994), Evening Standard Award for Best Play of the Year (1993), New York Drama Critics' Circle Award for Best Play (1995)


Paperback, 97 pages


Published September 24th 1994 by Faber Faber (first published 1993)


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Description : Arcadia takes us back and forth between the nineteenth and twentieth centuries, ranging over the nature of truth and time, the difference between the Classical and the Romantic temperament, and the disruptive influence of sex on our orbits in life. Focusing on the mysteries--romantic, scientific, literary--that engage the minds and hearts of characters whose passions and Arcadia takes us back and forth between the nineteenth and twentieth centuries, ranging over the nature of truth and time, the difference between the Classical and the Romantic temperament, and the disruptive influence of sex on our orbits in life. Focusing on the mysteries--romantic, scientific, literary--that engage the minds and hearts of characters whose passions and lives intersect across scientific planes and centuries, it is "Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and... emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow... Exhilarating" (Vincent Canby, The New York Times).


Literary Awards : Laurence Olivier Award for Best New Play (1994), Evening Standard Award for Best Play of the Year (1993), New York Drama Critics' Circle Award for Best Play (1995)


REVIEWS :This weekend I was looking at my almost seven year old daughter and marveling at how quickly she’s grown up. I thought: she’s still so young and she’s still so new. But then I thought: no, she’s not. Not really. The atoms and molecules that make up her body are actually billions of years old. Inside, she carries pieces of what are now distant stars. She carries pieces of the original humans. She carries pieces of me. She carries pieces of her children. And yet, there has never been and there (view spoiler)[And after all that... it all ends in people waltzing, oblivious to it all going up in flames. I endlessly, endlessly love this play. (hide spoiler)] Enough people love this play that it presumably has some good qualities. But I just couldn't get past the snide, obnoxious characters, and the facile, frequently inaccurate treatment of science and math, which panders to the "science is just the product of fallible human impulses and, like, we don't really know anything for sure anyway, man" attitude that has become the norm among intellectuals and wannabe intellectuals who, for one reason or another, aren't interested in science.As a The Waltz of TimeReading Iain Pears' brilliant novel Arcadia just now, I wondered how it might have been influenced by Tom Stoppard's 1993 play of the same title, which has been described [in the article I shall cite below] as "maybe the greatest play of our age." Answer: very much, and yet hardly at all. Stoppard casts his play of ideas as a drawing-room comedy—or rather two comedies alternating in the same room, the one beginning in 1809, the other in 1990. Pears infuses his ideas into a I first encountered this play my freshman year of college, and here I am in my final semester, reading it once more. If you have read this play yourself, you might see the beauty and significance in that duality. Nevertheless, I adore this play so, so much. Tom Stoppard is a complete genuis.The play follows two time periods, the early 1800's and a contemporary setting, both in the same exact location, an English manor house. In the 1800's we observe Thomasina, a 13 year old intellectual, and her The only play I've ever read that made me want to be an actor, however briefly--just for long enough to speak some of Stoppard's incredible lines. Witty, erudite, passionate, petty, catty, dry, elegant or vile, there's not a character who doesn't get off a zinger at least once per appearance, and usually oftener. Lady Croome alone barely walks into a room without puncturing egos left, right and center. Encountering a scene of midnight shenanigans in her country house, she tells the perps they're Mathematical discoveries glimpsed and lost to view will have their time again. You do not suppose, my lady, that if all of Archimedes had been hiding in the great library of Alexandria, we would be at a loss for a corkscrew?Stellar writing, just a spot under-fed. I would've appreciated more bulk, more fury -- some Sturm und Drang . Alas a two-tiered production featuring landed aristocracy, precocious children and the ribald aura of Lord Byron. Ruminating over these historical effects almost 200 (See full sized image here)When I announced that I wanted to study both Bio/Chem and English at A Level, I was met with a flood of snide comments from various supercilious adults: "That's a bit of a divergence, isn't it? Whatever do you intend to do with that combination?!" Well, having come out the other side relatively unscathed I can testify completely that the Sciences and the Arts are actually perfectly compatible in many ways - (just don't tell Annabella Milbanke, aka ex. Lady Byron) - and This is another wonderful play by Stoppard. This story takes place in two separate time periods, many decades distant from each other, and the events in the earlier period are being studied and referenced by the characters in the latter.The play captures the often violent dance of art and science, beautifully arranged in waltz time. It delves into chaos theory and questions how much our knowledge is limited by the time we have and the speed at which we can process information. It asks the My favorite play by Tom Stoppard, who’s often been referred to as one of the cleverest and most literate minds currently writing for the stage – or anywhere else, for that matter. His work is unfailingly intellectual in the best sense of the word, alive with the energy of a naturally brilliant and inquisitive mind constantly in motion: gleefully absorbing new information, delighting in the juxtaposition of unlikely ideas (philosophy and gymnastics, for example) and forever doubling back to Philosophy vs science progress. What is more important to mankind? What makes us happy? The play Arcadia (1993) is complex. Stoppard explores many different themes and contrasts such as past and present, and order and disorder. They melt together and show that everything is connected.The play is set in a country house, Sidley Park, in Derbyshire, and follows the lives of people living there in the 1800's and present day. This is a rich play with more questions than answers. It involves What a brilliant play! Would love to see it on stage. 4.5* I should have liked this more than I did, truly. I mean, I get that this is a play about how one goes about mapping emotional and physical complexity onto intellectual models and how it breaks down and breaks apart, in the same way that Romanticism signalled the end of the Enlightenment, or how the two had trouble coexisting in the same garden. (But they can be united! By fractals! And sex!)My problems were thus:1) I didn't like any of the characters. They were all so self-impressed, I would like to make it clear, right out front, that I adore some of Tom Stoppard's work. But this is insufferable, elitist piffle. The fact that it is so highly praised in so many circles confirms, to my mind, that the arts, like the rest of our culture, are utterly degenerate.Kurt Vonnegut once described the job of a writer as being "a good date." With "Arcadia," Stoppard wears too much cologne, won't stop talking about himself, blows smoke in our face, farts in the elevator, and seems to.
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