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Sister Carrie

Sister Carrie


By : by Theodore Dreiser


ratings : 35,516 ratings reviews : 1,386 reviews

Original Title : Sister Carrie


ISBN : 0393960420 (ISBN13: 9780393960426)


Edition Language : English


Series : Carrie Meeber, Charles H. Drouet, Minnie Hanson, Sven Hanson, George W. Hurstwood


Paperback, 580 pages


Published February 1st 1991 by W. W. Norton & Company (first published January 1st 1900)


Characters : Chicago, Illinois (United States)


Setting :


Description : When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse.'The tale of Carrie Meeber's rise to stardom in the theatre and George Hurstwood's slow decline captures the twin poles of exuberance and exhaustion in modern city life as When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse.'The tale of Carrie Meeber's rise to stardom in the theatre and George Hurstwood's slow decline captures the twin poles of exuberance and exhaustion in modern city life as never before. The premier example of American naturalism, Dreiser's remarkable first novel has deeply influenced such key writers as William Faulkner, F. Scott Fitzgerald, Saul Bellow, and Joyce Carol Oates. This edition uses the 1900 text, which is regarded as the author's final version.


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REVIEWS :Theodore Dreiser's Sister Carrie was the first real book I've ever read in English. I was 11, my mother just bought me a brand-spanking-new English dictionary, and my school librarians finally let me roam the section of the library where normally kids were not allowed to wreck havoc in on their own. Awed by the idea of a big book in a language I just started to somewhat understand, I reached for it, just missing the much more age-appropriate Treasure Island - but then why'd you think I'd ever I can't believe I am actually trying to read this again. This is an oft-flung book, which has fair aerodynamics and, the hardcover copy of which makes a satisfying "thunk" as it hits the wall. Book Review 3 out of 5 stars to Sister Carrie, one of the greatest American novels of true realistic cum naturalistic tone, published in its final form in 1900 by Theodore Dreiser. Some of my favorite literature comes from this time period in American history. Writers took extreme liberties with creating the most realistic point of view and portrayal of characters who were living the American dream, or at least attempting to. All details were painfully described when it came to what was going High school read. Recall it being extremely well-written albeit quite depressing - need to re-read! When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse. That I prioritized 'Sister Carrie' over at least fifty other books high on the ever-expanding tbr list can be imputed to a matter of false advertising. The blurb hails Carrie as a modern woman in American fiction, a first of her kind (think Kate Chopin's The Awakening released just a year prior This is a classic that I could read over and over again. What a story! If you haven't read it, you should! The story not only captures the reader into the story, it gives you a deep sense of mans crazy nature. I just finished reading this one again. I first read it 7 years ago, and felt is was time to try it again. Dreiser really speaks to my soul!! "Oh Carrie, Carrie! Oh blind strivings of the human heart! Onward onward, it saith, and where beauty leads, there it follows. Whether it be the I listened to the Blackstone Audiobook which came out Nov 18, 2005. It is not registered here at GR. There are two versions of Theodore Dreiser's book. The original "Doubleday Edition" was published in 1900. This, the original, was in fact edited by his wife. It has 47 chapters. It was considered more easily accessible to the public; the harsh message of new American Naturalism softened. The Blackstone audiobook uses this version. 80 years later, the "Pennsylvania Edition" of the book came out. In the words of Edmund Wilson, "Dreiser commands our respect; but the truth is he writes so badly that it is almost impossible to read him."Sister Carrie is a bad book. Not morally bad, unfortunately. That at least would make it interesting. In that respect, nothing in this book would be out of place in a Progressive lecture on social purity. This line from the first page sets the tone: "When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and I returned to this book after nearly two decades away and I found it as juicy and engrossing as ever.I'll be the first to acknowledge that, as stylists go, Dreiser is among the least accomplished of major American novelists. Maybe only John O'Hara compares, if he's even still considered a major author. Dreiser's word choice is no more precise than that of a Ouija board, his sentences as vibrant as chewed galoshes. But reading Dreiser for his wordsmithery is like visiting Casablanca for the At age eighteen, Carrie Meeber moves from a small town to the big city of Chicago, where she tries to make a living. When she runs into difficulties, rather than return home, she accepts assistance from a man who leads her to believe they will marry. She eventually becomes involved with another man who, unbeknownst to her, is already married. Carrie drifts through life with no set goals, at times encountering failure and at other times finding success. One of the primary themes appears to be the Theodore Dreiser and Emile Zola are both in the naturalist camps of literature, and indeed, I found many similarities between Sister Carrie and Nana. The major difference however, is that Dreiser choses to lead Hurstwood, his formerly affluent male protagonist to a bitter, self-induced end in a flophouse (reminiscent of Edith Wharton's House of Mirth), while Carrie, a lowerclass woman who, it could be argued, does bad things for money and material gain, moves up the socio-econimic ladder to a 6.5/10 Certainly not as I remembered it! A few spoilers herein, so be warned. This time 'round I would have welcomed a judicious editor who would have slashed 300 pages, without blinking.Taking it all in context, I'm fairly confident this would have set America on its ear as Zola's naturalism swam across the ocean and landed its realistic little tugboat in New York and made fodder with George Hurstwood and hay with Carrie Meeber, aka Carrie Madenda, aka Sister Carrie.And in context, I would have The more Effi Briest's, Anna Karenina's and Madame Bovary's and their ilk I read the more Sister Carrie stands out as a thematically exciting book. The woman who makes a success of herself through an unconventional lifestyle but doesn't have to die is sharp and amusing departure from many earlier novels. Instead it is the men left in her wake who suffer. Hurstwood's collapse and inability to adapt from Chicago to New York is still fascinating.Dresier's novel came a year too late to save Edna Carrie's first vision of Chicago is something many of us experience on Friday nights while driving into the city, excited about whatever the night might hold. The rollercoaster of hope and desolation coursing throughout the book was as much a part of life at the turn of the 20th century as it is at the turn of the 21st..
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